|
|
The Broken Token Disque04_A01
|
|
Emrich, Duncan |
Etats-Unis |
1947
|
CNRSMH_E_1950_011_046_004_001
|
|
|
The False Knight Upon the Road Disque04_A02
|
|
Emrich, Duncan |
Etats-Unis |
1947
|
CNRSMH_E_1950_011_046_004_002
|
|
|
On a Bright and Summer's Morning Disque04_B01
|
|
Moser, Artus M. |
Etats-Unis |
1946
|
CNRSMH_E_1950_011_046_004_003
|
|
|
Death of Queen Jane Disque04_B02
|
|
Moser, Artus M. |
Etats-Unis |
1946
|
CNRSMH_E_1950_011_046_004_004
|
|
|
Jackie's Gone A-Sailing Disque05_A01
|
|
Emrich, Duncan B. M. |
Etats-Unis |
1947
|
CNRSMH_E_1950_011_046_005_001
|
|
|
Sweet William Disque05_A02
|
|
Emrich, Duncan B. M. |
Etats-Unis |
1947
|
CNRSMH_E_1950_011_046_005_002
|
|
|
Buffalo Boy Disque05_B01
|
|
Emrich, Duncan B. M. |
Etats-Unis |
1947
|
CNRSMH_E_1950_011_046_005_003
|
|
|
The Barnyard Disque05_B02
|
|
Emrich, Duncan B. M. |
Etats-Unis |
1947
|
CNRSMH_E_1950_011_046_005_004
|
|
|
My Grandmother Green Disque05_B03
|
|
Emrich, Duncan B. M. |
Etats-Unis |
1947
|
CNRSMH_E_1950_011_046_005_005
|
|
|
Sans réponse, les fleurs A
|
|
|
Cambodge |
|
CNRSMH_E_1950_013_001_001
|
|
|
LE PAPILLON ET LA FLEUR (TANGO) A
|
|
STUDIO |
Vietnam |
1949
|
CNRSMH_E_1950_013_002_001
|
|
|
L'AMOUR DE LA CAVALIERE=*TR B
|
|
STUDIO |
Vietnam |
1949
|
CNRSMH_E_1950_013_002_002
|
|
|
TRIEU TU LONG S'EMPARE DU PRINCE HERITIER=*TR A01
|
|
STUDIO |
Vietnam |
|
CNRSMH_E_1950_013_003_001
|
|
|
TRIEU TU LONG S'EMPARE DU PRINCE HERITIER=*TR A01
|
|
STUDIO |
Vietnam |
|
CNRSMH_E_1950_013_004_001
|
|
|
TRIEU TU LONG S'EMPARE DU PRINCE HERITIER=*TR B01
|
|
STUDIO |
Vietnam |
|
CNRSMH_E_1950_013_004_002
|
|
|
TRIEU TU LONG S'EMPARE DU PRINCE HERITIER=*TR A01
|
|
STUDIO |
Vietnam |
|
CNRSMH_E_1950_013_005_001
|
|
|
TRIEU TU LONG S'EMPARE DU PRINCE HERITIER=*TR B01
|
|
STUDIO |
Vietnam |
|
CNRSMH_E_1950_013_005_002
|
|
|
Al ward (1ère partie) A
|
|
|
Algérie |
|
CNRSMH_E_1950_013_006_001
|
|
|
Al ward (2ème partie) B
|
|
|
Algérie |
|
CNRSMH_E_1950_013_006_002
|
|
|
Ghannili Chouya chouya A
|
|
|
|
|
CNRSMH_E_1950_013_007_001
|