d
|
Duo dotar-tanbur. Hamidov & Razzaqov: Ajam taronalari :01-01
|
d
|
During, Jean |
|
1997
|
CNRSMH_I_2009_007_001_01
|
d
|
Dombra kazakh :01-20
|
d
|
During, Jean |
|
1996
|
CNRSMH_I_1995_006_001_20
|
|
CHANT DE POSSESSION=*TR B
|
|
SUDIO |
|
|
DI.1948.002.019B
|
|
L'EAU QUI COULE, LES SAPEQUES D'OR=*TR A
|
|
STUDIO |
|
|
DI.1948.002.020A
|
|
LA PIECE ANCIENNE=*TR B
|
|
STUDIO |
|
|
DI.1948.002.020B
|
|
VOYAGE PAR VOIE DE TERRE, PAYSAGE DES 4 GENERATIONS=*TR A
|
|
STUDIO |
|
|
DI.1948.002.021A
|
|
LE PAYSAGE DES 4 GENERATIONS (SUITE), LE NUAGE QUI PASSE=*TR B
|
|
STUDIO |
|
|
DI.1948.002.021B
|
|
EXECUTION DE TRINH AN - THEATRE RENOVE=*TR A
|
|
STUDIO |
|
|
DI.1950.012.001A
|
|
EXECUTION DE TRINH AN - THEATRE RENOVE =*TR B
|
|
STUDIO |
|
|
DI.1950.012.001B
|
|
EXECUTION DE TRINH AN - HAT CAI LUONG=*TR A
|
|
STUDIO |
|
|
DI.1950.012.002A
|
|
EXECUTION DE TRINH AN - THEATRE RENOVE=*TR B
|
|
STUDIO |
|
|
DI.1950.012.002B
|
|
TRIEU TU LONG S'EMPARE DU PRINCE HERITIER=*TR A01
|
|
STUDIO |
|
|
DI.1950.013.004A01
|
|
TRANG TU MET A L'EPREUVE LA FIDELITE DE SA FEMME=*TR A01
|
|
STUDIO |
|
|
DI.1951.004.001A01
|
|
TRANG TU MET A L'EPREUVE LA FIDELITE DE SA FEMME =*TR B01
|
|
STUDIO |
|
|
DI.1951.004.001B01
|
d
|
Chant d'amour Uzbek (Face A_01)
|
d
|
Lubtchansky, J.C. |
|
1956
|
CNRSMH_E_1957_018_001_001_01
|
d
|
Rythmes Uzbek (Face A_03)
|
d
|
Lubtchansky, J.C. et Solange |
|
1956
|
CNRSMH_E_1957_018_001_001_03
|
d
|
Chant pachtoun (Face A_05)
|
d
|
Lubtchansky, J.C. et Solange |
|
1956
|
CNRSMH_E_1957_018_001_001_05
|
d
|
"Attan", danse guerrière Patchoun (Face B_02)
|
d
|
Lubtchansky, J.C. et Solange |
|
1956
|
CNRSMH_E_1957_018_001_001_08
|
d
|
Chœur Patchoun (Face B_03)
|
d
|
Lubtchansky, J.C. et Solange |
|
1956
|
CNRSMH_E_1957_018_001_001_09
|
|
VOYAGE PAR VOIE DE TERRE, VERSION LENTE PUIS RAPIDE=*TR B04
|
|
RTF |
|
|
DI.1958.009.001B04
|