Collection : Mongolie, musique vocale et instrumentale.

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Title: Mongolie, musique vocale et instrumentale.
Depositor / contributor: Maison des Cultures du Monde
Document status: Published
Recording period: 1988 - 1988
Year published: 1989
Access type: metadata
Corpus: Collection Inédit, Maison des Cultures du Monde [en cours de traitement]

Geographic and cultural informations

States / nations: Mongolie
Populations / social groups

Legal notices

Recordist: SIMONIN,PIERRE
Publisher: Inédit, Maison des Cultures du Monde, Paris
Booklet author: =
Publisher reference: W-260009
Legal rights: Restreint (enregistrement édité)

Archiving data

Code: CNRSMH_E_1991_002_027
Old code: DI.1991.002.027
Mode of acquisition: Achat (crédit CNRS)
Record author: A Voir (V/91)
Related documentation: 10P.FRA/ANGL/;PHOTOS;NOTATIONS;DOC.
Secondary edition: Sans indication
Comments
Record writer: Monique Desprez
Last modification: Dec. 2, 2015, 5:53 p.m.

Technical data

Estimated duration: 01:00:00
Collection size: 0 bytes
Number of components (medium / piece): 22
Number of items: 1
Archive format: CD, Ø 12 cm, Stéréo

Related media

Media	Preview
Title Pochette du disque Description Mongols distinguish three styles of vocal emission. The first, khaylakh (literally, "to cry out") is the style used by men for the epic, tuuli and for magtaal songs of praise. It is easily recognized by its recitative mode, its grave register and its rough tone. The second, duulakh "to sing" or ayalakh "melodious", is the sung style properly speaking. It is used in long songs, short songs and in certain magtaal. The voice, clear and strained, lends itself to various ornamental techniques depending on the kind of repertory. Finally, the third, khöömii "pharynx", brings together all the biphonic voice or singing drone techniques. The khöömii is the simultaneous emission of a basic sound or drone in khaylakh style, and of a melody composed of overtones chosen by means of various pharyngal and buccal techniques. Three of the six techniques listed may be heard in this recording: tseedjnii khöömii or chest khöömii, with a relatively high-pitched, clear drone (upper G); bagalzuuriin khöömii or throat khöömii, with a rough drone of medium pitch (upper D); kharkhira khöömii, which makes use of resonators at chest level and so emits a drone an octave lower than that of the bagalzuuriin khöömii (lower D). Rarely sung by women, the khöömii does not have a repertory of its own. It is usually used for the melodies of short songs, for popular songs, or as an interlude between magtaal, songs of praise. -- booklet notes Credits Inedit

Media

Preview

Title: Pochette du disque
Description: Mongols distinguish three styles of vocal emission. The first, khaylakh (literally, "to cry out") is the style used by men for the epic, tuuli and for magtaal songs of praise. It is easily recognized by its recitative mode, its grave register and its rough tone.
The second, duulakh "to sing" or ayalakh "melodious", is the sung style properly speaking. It is used in long songs, short songs and in certain magtaal. The voice, clear and strained, lends itself to various ornamental techniques depending on the kind of repertory.
Finally, the third, khöömii "pharynx", brings together all the biphonic voice or singing drone techniques. The khöömii is the simultaneous emission of a basic sound or drone in khaylakh style, and of a melody composed of overtones chosen by means of various pharyngal and buccal techniques. Three of the six techniques listed may be heard in this recording: tseedjnii khöömii or chest khöömii, with a relatively high-pitched, clear drone (upper G); bagalzuuriin khöömii or throat khöömii, with a rough drone of medium pitch (upper D); kharkhira khöömii, which makes use of resonators at chest level and so emits a drone an octave lower than that of the bagalzuuriin khöömii (lower D). Rarely sung by women, the khöömii does not have a repertory of its own. It is usually used for the melodies of short songs, for popular songs, or as an interlude between magtaal, songs of praise. -- booklet notes
Credits: Inedit

Items

	Title	Digitized	Recordist	Location	Year of recording	Code
	Mongolie, musique vocale et instrumentale. U01			Mongolie	1988	DI.1991.002.027U01