| title |
Digitized |
Recordist |
Country/Continent |
Year of recording |
Code |
|
Kompleks Me Kavalla A01
|
|
Graziani, Jean-Pierre ; Letourneur, Yves |
Albanie |
1981
|
CNRSMH_E_1981_012_043_001
|
|
Appel à la prière A01
|
|
|
Maroc |
|
CNRSMH_E_1981_012_045_001
|
|
SUCHOIV T'AN TZ'U (SUCHOW MINSTRELSY) A01
|
|
|
Taïwan |
|
DI.1981.013.003A01
|
|
THE MUSIC OF TAIWAN ABORIGINES A01
|
|
|
Taïwan |
|
DI.1981.013.010A01
|
|
THE CH'AU-CHOU STAGE MUSIC OF HONG KONG TUNG SHAN * A01
|
|
|
Taïwan |
|
DI.1981.013.015A01
|
|
RIS ORANGIS. FESTIVAL FOLK 10 MAI 1980 B01
|
|
|
Canada |
1980
|
DI.1982.004.001/02B01
|
|
Music of the Haut Oyapok : Oyampi and Emerillon Indians, French Guiana, South America A01
|
|
Stiffler, David Blair |
Guyane française |
1978
|
CNRSMH_E_1982_008_001_001
|
|
L'ORDRE CHAZILI D'EGYPTE. MUSIQUE SOUFI VOL. 4 A01
|
|
|
Egypte |
1989
|
DI.1982.010.001A01
|
|
Two Transverse Flutes (Chambri Lake) A01
|
|
|
Papouasie-Nouvelle-Guinée |
|
CNRSMH_E_1982_013_002_001
|
|
IGRAJ KOLO. SOUTHERN SLAV FOLK MUSIC FROM HUNGARY A01
|
|
|
Hongrie |
|
DI.1983.002.002A01
|
|
Núi Ngụ' Sông Hu'o'ng A02
|
|
STUDIO SM, PARIS |
Vietnam |
1982
|
CNRSMH_E_1983_003_002_002
|
|
Dộc Tãu Dàn Môi Mông A04
|
|
STUDIO SM, PARIS |
Vietnam |
1982
|
CNRSMH_E_1983_003_002_004
|
|
BERCEUSE DU CENTRE VIETNAM B02
|
|
STUDIO SM, PARIS |
Vietnam |
1982
|
DI.1983.003.002B02
|
|
RYTHME DES HAUTS PLATEAUX B09
|
|
STUDIO SM, PARIS |
Vietnam |
1982
|
DI.1983.003.002B09
|
|
FANDANGO DO PARANA A01
|
|
|
Brésil |
1968
|
DI.1983.004.005A01
|
|
Marujos Do Mar A01a
|
|
Brandão, Theo (ingénieur du son) ; de Alencar Pinto, Aloysio (montage ; supervision) |
Brésil |
1957
|
CNRSMH_E_1983_004_012_001
|
|
Apresentação / Boi / Cavalinho A01
|
|
Rosa, Luis Henrique (ingénieur du son) |
Brésil |
1976
|
CNRSMH_E_1983_004_017_001
|
|
TOREM/CEARA A01
|
|
|
Brésil |
1975
|
DI.1983.004.020A01
|
|
Tingle Apho A01
|
|
Strecker, Ivo |
Ethiopie |
|
CNRSMH_E_1983_005_002_001
|
|
Carnaval: Wayñu A03
|
|
Baumann, Max Peter |
Cochabamba |
1978
|
CNRSMH_E_1983_005_011_003
|
