|
|
Magul-Bera A01
|
|
|
|
|
CNRSMH_E_1983_002_004_001
|
|
|
Lý Ngụ'a Ô A01
|
|
STUDIO SM, PARIS |
|
1982
|
CNRSMH_E_1983_003_002_001
|
|
|
Núi Ngụ' Sông Hu'o'ng A02
|
|
STUDIO SM, PARIS |
|
1982
|
CNRSMH_E_1983_003_002_002
|
|
|
Tùy Hũng Muõng A03
|
|
STUDIO SM, PARIS |
|
1982
|
CNRSMH_E_1983_003_002_003
|
|
|
Dộc Tãu Dàn Môi Mông A04
|
|
STUDIO SM, PARIS |
|
1982
|
CNRSMH_E_1983_003_002_004
|
|
|
Tiẻg Hát Dàn Môi Tre A05
|
|
STUDIO SM, PARIS |
|
1982
|
CNRSMH_E_1983_003_002_005
|
|
|
Hát Hai Giọng A06
|
|
STUDIO SM, PARIS |
|
1982
|
CNRSMH_E_1983_003_002_006
|
|
|
Pedido de licença (Abertura) e Eu quero é Saravá A01
|
|
|
|
1976
|
CNRSMH_E_1983_004_004_001
|
|
|
Marujos Do Mar A01a
|
|
Brandão, Theo (ingénieur du son) ; de Alencar Pinto, Aloysio (montage ; supervision) |
|
1957
|
CNRSMH_E_1983_004_012_001
|
|
|
Passarinho pintadinho (lundu) A01
|
|
da Silva Matos, Djalma (ingénieur du son) |
|
1976
|
CNRSMH_E_1983_004_014_001
|
|
|
Apresentação / Boi / Cavalinho A01
|
|
Rosa, Luis Henrique (ingénieur du son) |
|
1976
|
CNRSMH_E_1983_004_017_001
|
|
|
Tingle Apho A01
|
|
Strecker, Ivo |
|
|
CNRSMH_E_1983_005_002_001
|
|
|
Varnam: Mōha-Iāhiri A01
|
|
Simon, Artur |
|
1975
|
CNRSMH_E_1983_005_005_001
|
|
|
Wayño Chiriwano A01
|
|
Baumann, Max Peter |
|
1978
|
CNRSMH_E_1983_005_011_001
|
|
|
Carnaval: Wayñitu A02
|
|
Baumann, Max Peter |
|
1978
|
CNRSMH_E_1983_005_011_002
|
|
|
Carnaval: Wayñu A03
|
|
Baumann, Max Peter |
|
1978
|
CNRSMH_E_1983_005_011_003
|
|
|
Tonada del Carnaval: Puka Uma A04
|
|
Baumann, Max Peter |
|
1978
|
CNRSMH_E_1983_005_011_004
|
|
|
Kullawas: Tarkeada A05
|
|
Baumann, Max Peter |
|
1977
|
CNRSMH_E_1983_005_011_005
|
|
|
K'ajchitu: Wayñitu A06
|
|
Baumann, Max Peter |
|
1978
|
CNRSMH_E_1983_005_011_006
|
|
|
Ushnytzatni: Carnaval A07
|
|
Baumann, Max Peter |
|
1978
|
CNRSMH_E_1983_005_011_007
|
Items
(10181 - 10200 / 19769)
