Collection : Philippines, Palawan: 3 pièces de musique de gongs, 1984

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Title: Philippines, Palawan: 3 pièces de musique de gongs, 1984
Depositor / contributor: Revel, Nicole ; Maceda, Jose
Document status: Unpublished
Recording context: Terrain
Recording period: 1984 - 1984
Access type: full
Corpus: Maceda, Inédits, Asie du sud-est, 1955-1984
Corpus: Revel, Inédits, Philippines, 1970-1999

Geographic and cultural informations

States / nations: Philippines
Populations / social groups: Pala'wan

Legal notices

Publisher: - Copie
Bibliographic references: Macéda, José, "Gongs & Bamboo: A Panorama of Philippine Music Instruments", University of the Philippines Press, Quezon City 1998, 326p. (cf. résumé en média associé).
Legal rights: Copie interdite

Archiving data

Code: CNRSMH_I_1986_013
Old code: BM.1986.013.001
Mode of acquisition: Copie (sélection d'enregistrement)
CNRS depositor: oui
Record author: P/BM
Collection status: copie
Comments
Record writer: Pitoëff, Pribislav
Last modification: Sept. 8, 2017, 4:12 p.m.
Items finished: non
Conservation site: BNF

Technical data

Media type: Audio
Estimated duration: 00:20:00
Collection size: 0 bytes
Number of components (medium / piece): 1
Number of items: 1
Original format: Bande(s) magnétique(s) 6,25mm (1/4')
Archive format: Bande(s) Magnétique(s), Ø Grand format ; v. 38 cm/s ; Pleine piste , Stéréo ; SD
Digitization: Non numérisée

Related media

Media	Preview
Title Ouvrage (référence et résumé en ligne) : Gongs & Bamboo: A Panorama of Philippine Music Instruments, 1998 Description This panorama is a pictorial view of music instruments starting with older bamboo and other instruments of undetermined age, going on two types of gongs-flat in Northern Luzon and bossed in the South. These two areas may be viewed as pocket cultures comparable to other pocket cultures in Borneo, Sumatra, other islands in Southeast Asia and the mountain regions south of and including Yunnan province of China, thus placing the music of Luzon and Mindanao in a larger geographical context. For example, mouth organs in Borneo and continental Southeast Asia are absent in the Philippines, where, however, separate pipes of panpipes are on occasion still being played by groups of boys among the Kalingga of Luzon. The musical elements of drone and melody identified in two lutes in Borneo or ensembles in Yunnan find examples in two players of the same tube zither in Mindanao and flat gongs in Luzon. The nearly 500 photographs in the book are almost all taken in the field, showing details of making and playing bamboo buzzers, jaw harps, zithers, percussion tubes, flutes and other instruments. Manners of tapping and sliding with the hands on flat gongs differ from beating them with sticks. Examples of big bossed gongs with wide rims (agung) struck with a mallet on the boss and a stick on the rim show affinities with a manner of playing bronze drums in Yunnan. In North Luzon, men and women dancing in circles with outstretched hands distinguish them from solo dancers with minimum body movements in the South. Credits Macéda, José

Media

Preview

Title: Ouvrage (référence et résumé en ligne) : Gongs & Bamboo: A Panorama of Philippine Music Instruments, 1998
Description: This panorama is a pictorial view of music instruments starting with older bamboo and other instruments of undetermined age, going on two types of gongs-flat in Northern Luzon and bossed in the South. These two areas may be viewed as pocket cultures comparable to other pocket cultures in Borneo, Sumatra, other islands in Southeast Asia and the mountain regions south of and including Yunnan province of China, thus placing the music of Luzon and Mindanao in a larger geographical context. For example, mouth organs in Borneo and continental Southeast Asia are absent in the Philippines, where, however, separate pipes of panpipes are on occasion still being played by groups of boys among the Kalingga of Luzon. The musical elements of drone and melody identified in two lutes in Borneo or ensembles in Yunnan find examples in two players of the same tube zither in Mindanao and flat gongs in Luzon.

The nearly 500 photographs in the book are almost all taken in the field, showing details of making and playing bamboo buzzers, jaw harps, zithers, percussion tubes, flutes and other instruments. Manners of tapping and sliding with the hands on flat gongs differ from beating them with sticks. Examples of big bossed gongs with wide rims (agung) struck with a mallet on the boss and a stick on the rim show affinities with a manner of playing bronze drums in Yunnan. In North Luzon, men and women dancing in circles with outstretched hands distinguish them from solo dancers with minimum body movements in the South.
Credits: Macéda, José

Items

	Title	Digitized	Recordist	Location	Year of recording	Code
	à renseigner :01-01		Revel, Nicole ; Maceda, Jose	Philippines	1984	CNRSMH_I_1986_013_001_01