Collection : The Andalusian music of Morocco : Al-Āla : history, society and text [Disque encarté]

1 item (View list)
Title
The Andalusian music of Morocco : Al-Āla : history, society and text [Disque encarté]
Depositor / contributor
Davila, Carl
Document status
Published
Description
Disque encarté à l'ouvrage de Carl Davila : "The Andalusian Music of Morocco. Al-Ala : History, Society and Text", comprenant deux enregistrements sonores (à préciser).
Recording context
Divers
Recording period
2001 - 2012
Year published
2013
Access type
metadata
Corpus
Documents encartés (hors collections éditoriales/revues/travaux)

Geographic and cultural informations

States / nations
Maroc
Populations / social groups

Legal notices

Recordist
Non renseigné
Publisher reference
ISBN:978-3-89500-913-6
Bibliographic references
Davila, Carl. The Andalusian Music of Morocco. Al-Ala: History, Society and Text. Reichert, 2013, 368 p., Audio-CD, ISBN: 9783895009136.
Ouvrage consultable à la bilbiothèque du CREM (cote 1.1 DAV)
Legal rights
Restreint (enregistrement édité)

Archiving data

Code
CNRSMH_E_2016_047_001
Mode of acquisition
Achat
Copy type
principal
Collection status
original
Comments
Last modification
Oct. 6, 2016, 4:45 p.m.
Archiver notes
Ouvrage et copie du disque empruntés par M. Olsen le 06/10/2016. Ouvrage à cataloguer et à équiper par Paola après retour d'emprunt.
Items finished
Non
Conservation site
CREM : bibliothèque

Technical data

Media type
Audio
Collection size
0 bytes
Number of components (medium / piece)
1
Number of items
1
Original format
Disque compact (CD)
Digitization
Non numérisée

Related media

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Title
Résumé de l'ouvrage
Description
This book reframes the history of the Andalusian music of Morocco by highlighting the interplay of oral and literary processes in the preservation and transmission of this poetic-musical tradition across generations. Although oral communication and the social intimacy it fosters have been highly valued by participants in the tradition throughout its evolution from the elite music of Islamic Spain to its present status as Morocco’s national classical music, over the past two and a half centuries, written anthologies also have evolved as iconic representations of the tradition that function alongside the oral processes without replacing them. Davila brings a new approach to studies of the social foundations of Arabic poetic traditions by proposing a “value theory of tradition” and arguing that this “mixed orality” within the boundaries of the tradition persists because the two embody distinct but complementary sets of values.
Credits
Reichert

Items

Title Digitized Recordist Location Year of recording Code
[A renseigner] 01 Maroc CNRSMH_E_2016_047_001_001