Collection : Jelly Roll Morton. The complete library of congress recordings by Alan Lomax

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Title
Jelly Roll Morton. The complete library of congress recordings by Alan Lomax
Depositor / contributor
Lomax Wood, Anna ; ACE
Document status
Published
Description
Coffret contenant 8 CDs et un livre 80 p. (texte en anglais).

"A complete trancription of dialogue and lyrics and expanded liner notes included on Disc Eight as an Adobe Acrobat PDF document, which includes : Transcript of the 1938 Library of Congress Recordings of Jelly Roll Morton ; Selections from the 1949 New Orleans Jazz Interviews Recorded by Alan Lomax ; Unrecorded Interview Material and Research Notes by Alan Lomax,1938-49 ; Letter from Jelly Roll Morton to a United States Supreme Court Justice, 1938 ; Letter from Jelly Roll Morton to James Roosevelt, 1938 ; William Russell's Handwritten Notes to Alan Lomax regarding Mister Jelly Roll : Excerpts from Jelly Roll Morton Symposium at Tulane University, May 7, 1982".
Recording period
1938 - 1938
Year published
2005
Access type
metadata

Geographic and cultural informations

States / nations
Etats-Unis
Populations / social groups

Legal notices

Recordist
Lomax, Alan
Booklet author
Anna Lomax Wood & Jeffrey A. Greenberg
Legal rights
Restreint (enregistrement édité)

Archiving data

Code
CNRSMH_E_2016_037_001
Mode of acquisition
Don
Copy type
principal
Related documentation
Livre 80 p. (texte en anglais)
Collection status
original
Comments
Near the end of his life, Jelly Roll Morton was bitter and in financial straits, feeling overlooked for his contributions as a jazz trailblazer while others got the credit. In 1938, folklorist Alan Lomax began documenting Morton's career and music by conducting private sessions with the pianist in a concert hall, transcribing his comments and performances onto two primitive battery-operated portable disc cutters, which had problems keeping a consistent speed.

Various editions of these historic Library of Congress recordings have been issued over the years, though duplications, omissions and pitch problems make them inferior to this newly remastered and re-edited collection. The recordings have been resequenced to their original order, with duplications omitted and all unreleased segments included, while the pitch correction and remastering, utilizing a few newly discovered alternate masters, has greatly improved the fidelity.


CD1: The Story of Alabama Bound ; Time in Mobile ; King Porter Stomp ; The Story of "King Porter Stomp"; Jelly Roll's Background; Music Lessons ; Miserere ; The Stomping Grounds; The Style of Sammy Davis ; Tony Jackson Was the Favorite/Dope, Crown, and Opium; Poor Alfred Wilson ; Honky Tonk Blues ; New Orleans Was a Free and Easy Place ; The Story of Aaron Harris, Pt.1.

CD2: The Story of Aaron Harris, Pt.2 ; Aaron Harris's Hoodoo Woman & The Hat That Started a Riot; The 1900 New Orleans Riot, Pt.1 & The Song of Robert Charles; The 1900 New Orleans Riot, Pt.2 & Game Kid Blues, Pt.1; Game Kid Blues, Pt.2; New Orleans Funerals ; Funeral Marches ; Oh! Didn't He Ramble ; Tiger Rag, 3rd, 4th and 5th strains ; Tiger Rag ; The Right Tempo Is the Accurate Tempo ; Jazz Discords and Story of the Kansas City Stom ; Slow Swing and Sweet Jazz Music; Salty Dog ; Hesitation Blues.

CD3: My Gal Sal ; The St. Louis Scene ; Maple Leaf Rag ; Jelly Roll Carves St. Louis Pt.1, Pt.2 ; New Orleans Blues; Winin' Boy Blues Pt.1, Pt.2 ; The Anamule Dance Pt.1, Pt.2 ; The Great Buddy Bolden Pt.1, Pt.2 ; Mr. Jelly Lord; How Jelly Roll Got His Name ; Original Jelly Roll Blues ; Honky Tonk Blues & Old-Time Honky Tonks.

CD4: Real Tough Boys; Sporting Attire ; Sweet Mamas and Sweet Papas ; See See Rider ; Parading with the Broadway Swells; Fights and Weapons ; Luis Russell and New Orleans Riffs ; Jelly's Travels: From Yazoo to Clarksdale; Jelly's Travels: From Clarksdale to Helena; Jelly's Travels: From Helena to Memphis; In Memphis: The Monarch Saloon & Benny Frenchy ; Benny Frenchy's Tune ; Make Me a Pallet on the Floor Pt.1, Pt.2, Pt.3, Pt.4.

CD5: The Dirty Dozen; The Murder Ballad, Pt. 1; The Murder Ballad, Pt. 2; The Murder Ballad, Pt. 3; The Murder Ballad, Pt. 4; The Murder Ballad, Pt. 5; The Murder Ballad, Pt. 6; The Murder Ballad, Pt.7 ; Fickle Fay Creep; Jungle Blues; King Porter Stomp; Sweet Peter; Hyena Stomp; Wolverine Blues Pt.1, Pt.2 ; State and Madison; The Pearls Pt.1, Pt.2.

CD6: Bert Williams; Freakish; Pep; The Georgia Skin GamePt.1, Pt.2, Pt.3 ; Ungai Hai, the Sign of the Indians; New Orleans Blues ; The Spanish Tinge; Improving Spanish Tempos ; Creepy Feeling; The Crave; Mamanita; If You Don't Shake, You Don't Get No Cake; Spanish Swat; Ain't Misbehavin'; I Hate a Man Like You/Rolling Stuff; Michigan Water Blues.

CD7: Winin' Boy Blues Pt.1, Pt.2 ; Boogie Woogie Blues ; Buddy Bertrand's Blues ; When the Hot Stuff Came In; The First Hot Arrangements; The Pensacola Kid & the Cadillac Café; At the Cadillac Café, Los Angeles ; Little Liza Jane ; In the Publishing Business.

CD8: Original Jelly Roll Blues; Jelly Roll's Early Playing Days ; Hot Bands & Creole Tunes; Eh, La Bas ; Old-Time Creole Musicians ; Playing Hot with Buddy Bolden; High Society; Sporting Life Costumes; Buddy Bolden ; Creoles Playing with Negroes ; Jelly Roll's Compositions; Johnny St. Cyr Learned to Play Guitar; Guitar Blues; Bad Men and Pimps ; The Story of the Coon Blues; Coon Blues; Jazz Is Just a Make-up ; Young Sidney Bechet ; The Main Idea in Jazz ; A Little Tale of Jelly Roll Morton.
Last modification
July 4, 2016, 5:22 p.m.
Items finished
non
Conservation site
CREM : phonothèque

Technical data

Media type
Audio
Collection size
0 bytes
Number of items
1
Archive format
CD, Ø 12 cm

Related media

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Title
Visuel du coffret
Description
Consulté le 04.07.2016
Credits

Items

Title Digitized Recordist Location Year of recording Code
[A renseigner] Etats-Unis CNRSMH_E_2016_037_001_001