|
Title | Digitized | Recordist | Country/Continent | Year of recording | Code | |
---|---|---|---|---|---|---|
d |
Özhal muqam (extrait) _003_07 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_003_07 | |
d |
Tchabiyat muqam (extrait) _003_08 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_003_08 | |
d |
Zil Bayawan _007_01 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_007_01 | |
d |
Özhal Muqam _007_02 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_007_02 | |
d |
Rak Muqam _007_03 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_007_03 | |
d |
Djula _007_06 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_007_06 | |
d |
Sim Bayawan _007_07 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_007_07 | |
d |
Khodäk _007_08 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_007_08 | |
d |
Dogamät _007_09 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_007_09 | |
d |
Bom Biyawan _007_10 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_007_10 | |
d |
Aq tam nakhshisi _007_11 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_007_11 | |
d |
Bostan sakh bala _007_12 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_007_12 | |
d |
Zil Bayawan serilma _007_15 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_007_15 | |
d |
Bom Biyawan serilma _007_16 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_007_16 | |
d |
Tchabiyat (extraits) _008_01 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_008_01 | |
d |
Mushawräk (extraits) _008_02 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_008_02 | |
d |
Musiques de mariage _010_01 |
d |
Trebinjac, Sabine | 1988 | CNRSMH_I_2013_039_010_01 | |
d |
Deuxième étape modale de Shur/Ushshak par Parviz Yâhaqqi _06 |
d |
CNRSMH_I_2016_046_001_06 | |||
d |
Modulation à Hoseyni sur sol par Rezâ Varzande _10 |
d |
2008 | CNRSMH_I_2016_046_001_10 | ||
d |
Développement du pentacorde de Navâ d'Abu ‛atâ par Rezâ Varzande _14 |
d |
2008 | CNRSMH_I_2016_046_001_14 |