|
|
CHANT, EXTRAIT D'UNE PIECE DE THEATRE TRADITIONNEL HAU BOI B03
|
|
RTF |
|
|
CNRSMH_E_1958_009_002_005
|
|
|
CINQ DEGRES OPPOSES VERSION 1 *TR A01
|
|
RTF |
|
1956
|
CNRSMH_E_1958_009_003_001
|
|
|
MUSIQUE POUR L'ESPLANADE *TR A02
|
|
RTF |
|
1956
|
CNRSMH_E_1958_009_003_002
|
|
|
CHANT DE POSSESSION =*TR B01
|
|
RTF |
|
1956
|
CNRSMH_E_1958_009_003_005
|
|
|
CHANT DE POSSESSION =*TR B02
|
|
RTF |
|
1956
|
CNRSMH_E_1958_009_003_006
|
|
|
CHANT DE POSSESSION = *TR A01
|
|
RTF |
|
1956
|
DI.1958.009.004A01
|
|
|
CHANT POUR PILER LE RIZ *TR A02
|
|
RTF |
|
1956
|
DI.1958.009.004A02
|
|
|
Señores y señoritas A06
|
|
Morel, Claude (ingénieur du son) |
|
1963
|
CNRSMH_E_1964_002_001_006
|
|
|
Dieciséis de Julio B01
|
|
Morel, Claude (ingénieur du son) |
|
1963
|
CNRSMH_E_1964_002_001_007
|
|
|
Parabienes al revés B02
|
|
Morel, Claude (ingénieur du son) |
|
1963
|
CNRSMH_E_1964_002_001_008
|
|
|
Qua Cau Gio Bay A04
|
|
STUDIO GENEIX, DELANNOY |
|
1959
|
CNRSMH_E_1965_009_013_004
|
|
|
Phong Xuy Trich Lieu B03
|
|
STUDIO GENEIX, DELANNOY |
|
1959
|
CNRSMH_E_1965_009_013_007
|
|
|
Ru Con A10
|
|
Bitter, Maurice |
|
|
CNRSMH_E_1970_017_020_010
|
|
|
Modern Tu Ogi Ogn (Sung) A02
|
|
Addiss, Stephen |
|
1977
|
CNRSMH_E_1971_007_002_002
|
|
|
Old Vong Cô A05
|
|
Addiss, Stephen |
|
1971
|
CNRSMH_E_1971_007_002_005
|
|
|
New Vong Cô A06
|
|
Addiss, Stephen |
|
1977
|
CNRSMH_E_1971_007_002_006
|
|
|
Ba'c Phan (With Poem) B01
|
|
Addiss, Stephen |
|
1966
|
CNRSMH_E_1971_007_002_008
|
|
|
Ty-Ba (With First Phrase of Poem, as Performed Twenty Years Ago) B02
|
|
Addiss, Stephen |
|
1966
|
CNRSMH_E_1971_007_002_009
|
|
|
Ty-Ba (With First Phrase of Poem, as Performed Today) B03
|
|
Addiss, Stephen |
|
1966
|
CNRSMH_E_1971_007_002_010
|
|
|
Ty-Ba (Entire Poem) B04
|
|
Addiss, Stephen |
|
1966
|
CNRSMH_E_1971_007_002_011
|
Items
Voix : Solo de femme (41 - 60 / 643)
