|
|
CHAGRIN D'AMOUR=*TR B02
|
|
RTF |
|
|
DI.1958.009.002B02
|
|
|
CHANT, EXTRAIT D'UNE PIECE DE THEATRE TRADITIONNEL HAU BOI B03
|
|
RTF |
|
|
DI.1958.009.002B03
|
|
|
CINQ DEGRES OPPOSES VERSION 1 *TR A01
|
|
RTF |
|
1956
|
DI.1958.009.003A01
|
|
|
MUSIQUE POUR L'ESPLANADE *TR A02
|
|
RTF |
|
1956
|
DI.1958.009.003A02
|
|
|
CHANT DE POSSESSION *TR B01
|
|
RTF |
|
1956
|
DI.1958.009.003B01
|
|
|
CHANT DE POSSESSION *TR B02
|
|
RTF |
|
1956
|
DI.1958.009.003B02
|
|
|
CHANT DE POSSESSION = *TR A01
|
|
RTF |
|
1956
|
DI.1958.009.004A01
|
|
|
CHANT POUR PILER LE RIZ *TR A02
|
|
RTF |
|
1956
|
DI.1958.009.004A02
|
|
|
TY BA, 1ERE PHRASE, STYLE ANCIEN=*TR B02
|
|
STEPHEN ADDISS |
|
1966
|
DI.1971.007.002B02
|
|
|
TY BA, VERSION ACTUELLE, 1ERE PHRASE=*TR B03
|
|
STEPHEN ADDISS |
|
1966
|
DI.1971.007.002B03
|
|
|
TY BA HANH, VERSION INTEGRALE=*TR B04
|
|
STEPHEN ADDISS |
|
1966
|
DI.1971.007.002B04
|
|
|
QUESTIONS A L'HOMME EN PIERRE=*TR B05
|
|
STEPHEN ADDISS |
|
1966
|
DI.1971.007.002B05
|
|
|
JUYANIMARI B05
|
|
|
|
1977
|
DI.1979.003.001B05
|
|
|
BERCEUSE DU NORD VIETNAM B01
|
|
STUDIO SM, PARIS |
|
1982
|
DI.1983.003.002B01
|
|
|
BERCEUSE DU CENTRE VIETNAM B02
|
|
STUDIO SM, PARIS |
|
1982
|
DI.1983.003.002B02
|
|
|
BERCEUSE DU SUD VIETNAM B03
|
|
STUDIO SM,PARIS |
|
1982
|
DI.1983.003.002B03
|
|
|
AU PASSAGE DU PONT, LE VENT ME L'A ENLEVE=*TR B01
|
|
TRAN QUANG HAI |
|
1982
|
DI.1983.006.001B01
|
|
|
PROMENADE PRINTANIERE DE KIEU=*TR U02
|
|
STUDIO SYSMOS, PARIS |
|
1987
|
DI.1988.002.001U02
|
|
|
AU PASSAGE DU PONT, LE VENT ME L'A ENLEVE=*TR U04
|
|
STUDIO CROIX NIVERT,PARIS |
|
1979
|
DI.1988.002.001U04
|
|
|
LE CHANT DU MERLE=*TR U06
|
|
STUDIO CROIX NIVERT, PARIS |
|
1979
|
DI.1988.002.001U06
|