|
|
Anata Z02
|
|
|
|
|
CNRSMH_E_1970_007_002_002
|
|
|
Flautilla Z03
|
|
|
|
|
CNRSMH_E_1970_007_002_003
|
|
|
Quena Z04
|
|
|
|
|
CNRSMH_E_1970_007_002_004
|
|
|
Chiriguanos: Toques
Z09
|
|
|
|
|
CNRSMH_E_1970_007_006_009
|
|
|
Chiriguanos: Toques
Z09
|
|
|
|
|
CNRSMH_E_1970_007_006_009
|
|
|
Araucanos : Toques Instrumentales Z15
|
|
|
|
|
CNRSMH_E_1970_007_006_015
|
|
|
Collas Dance Music A05
|
|
Martí, Samuel ; Brown, Babs |
|
1956
|
CNRSMH_E_1973_004_013_005
|
|
|
Collas Dance Music (continued) A06
|
|
Martí, Samuel ; Brown, Babs |
|
1956
|
CNRSMH_E_1973_004_013_006
|
|
|
Pampa Hash Ceremonial Dance A07
|
|
Martí, Samuel ; Brown, Babs |
|
1956
|
CNRSMH_E_1973_004_013_007
|
|
|
Pampa Hash Ceremonial Dance (continued) A08
|
|
Martí, Samuel ; Brown, Babs |
|
1956
|
CNRSMH_E_1973_004_013_008
|
|
|
Pampa Hash Ceremonial Dance (continued) A09
|
|
Martí, Samuel ; Brown, Babs |
|
1956
|
CNRSMH_E_1973_004_013_009
|
|
|
Solo on the Pinqalyo A01a
|
|
Clair-Vasiliades, Christos ; Medina, Rodrigo ; Salas, Adalberto ; Stratigopoulou, Mirka |
|
1974
|
CNRSMH_E_1976_006_001_001
|
|
|
Solo on the tara A03a
|
|
Clair-Vasiliades, Christos ; Medina, Rodrigo ; Salas, Adalberto ; Stratigopoulou, Mirka |
|
1974
|
CNRSMH_E_1976_006_001_006
|
|
|
Urua B02
|
|
Chapelle, Richard |
|
1968
|
CNRSMH_E_1976_012_001_017
|
|
|
Ly Qua Dèo B04
|
|
|
|
1976
|
CNRSMH_E_1976_015_001_012
|
|
|
Chants des Alféreces (porte-drapeaux) et Danses des Chinos (serviteurs des divinités et des Saints) A01
|
|
Wenzel, Jochen |
|
|
CNRSMH_E_1977_004_003_001
|
|
|
Chofercito A01
|
|
Hömberg, Martin (ingénieur du son) |
|
1978
|
CNRSMH_E_1978_010_001_001
|
|
|
Corpus De Umala A02a
|
|
Hömberg, Martin (ingénieur du son) |
|
1978
|
CNRSMH_E_1978_010_001_002
|
|
|
Puñales A03
|
|
Hömberg, Martin (ingénieur du son) |
|
1978
|
CNRSMH_E_1978_010_001_005
|
|
|
Minerito A06
|
|
Hömberg, Martin (ingénieur du son) |
|
1978
|
CNRSMH_E_1978_010_001_009
|
Items
Flûte à embouchure terminale (21 - 40 / 140)
